It’s the latest installment of audiovisual pieces that I’ve been making for almost 20 years. How would you characterize TRIPTYCH and how it fits into your work? During a discussion with Art in America, Fox talked about his work in different mediums on different scales and the ways his synesthetic visions have come to life. On July 14, he will perform the piece again at an Unsound satellite event in Adelaide.įox has also created a series of monumental public artworks in Australia with the most-advanced laser technology currently available, including Sunsuper Night Sky in Brisbane (2020), Beacon in Hobart (2022), and Monochord in Melbourne (2022). ![]() After being invited to look through archival material related to Ostoja-Kotkowski in Australia, Fox traveled to the artist’s hometown in Poland and soon after premiered TRIPTYCH at Unsound Festival in Krakow. ![]() The piece was inspired in part by Stanislaus Ostoja-Kotkowski, a Polish artist who emigrated to Adelaide, Australia, and started making prescient multimedia work-including painting, kinetic sculpture, and pieces utilizing early computers and laser technology-in the 1950s. The most recent example is TRIPTYCH, for which Fox won this year’s “Isao Tomita Special Prize” from the Prix Ars Electronica. In the past few years, from his home base in Melbourne, Australia, he has developed a number of theater-scale shows in which the electricity sources used to create sight and sound fuse in a synchronized fashion, with electronic music and laser light bound together as one. ![]() Robin Fox is an audio-visual artist whose work ranges from experimental music and intermedia performances to large-scale installations that enlist industrial-grade lasers that can shoot into outer space.
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